{"id":5927,"date":"2023-08-27T20:14:06","date_gmt":"2023-08-27T17:14:06","guid":{"rendered":"https:\/\/pastfutureart.org\/?p=5927"},"modified":"2024-01-15T20:33:07","modified_gmt":"2024-01-15T17:33:07","slug":"ground-shadows","status":"publish","type":"post","link":"https:\/\/pastfutureart.org\/en\/ground-shadows\/","title":{"rendered":"Ground Shadows exhibition by Anna Zvyagintseva"},"content":{"rendered":"\r\n
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Starting from September 9th, 2023, the artistic project Ground Shadows <\/em><\/a>by Anna Zvyagintseva at Kazerne Dossin: Museum, Memorial and Research Centre on the Holocaust and Human Rights<\/a> in Mechelen, Belgium, offered to reflect on the past and present of Babyn Yar \u2014 the site of the ‘Holocaust by Bullets’ in Ukraine. Ground Shadows<\/i> is a joint project of memory culture platform Past \/ Future \/ Art<\/a>\u00a0and IZOLYATSIA. Platform for cultural initiatives<\/a>.<\/strong><\/p>\n <\/div>\r\n \r\n \r\n <\/div>\r\n <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n

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Produced specifically for the location of Kazerne Dossin, the guest exhibition Ground Shadow<\/i>s seeks to address the chain of violence and trauma that has unfolded in Babyn Yar, Kyiv, Ukraine. In her project, Ukrainian artist Anna Zvyagintseva stitches together tragic occurrences of World War II and the current Russia-Ukraine war, thus providing a space for reflection and remembrance, mourning and commemoration.<\/p>\n

Babyn Yar is a ravine in a former suburb of Kyiv and a site where mass crimes were committed by the Nazis. On 29-30 September 1941, a total of 33,771 Jews of Kyiv were shot at Babyn Yar. In the autumn of 1941, the Nazis also killed patients of a psychiatric hospital, Roma, Soviet prisoners of war, and enemies of the occupying forces here.<\/span><\/p>\n

Babyn Yar symbolises the \u2018Holocaust by Bullets\u2019 in Ukraine. A French researcher and priest, Patrick Desbois, used this term to refer to mass crimes committed by the Nazis in Eastern Europe when victims were shot near their homes. The Holocaust by Bullets occurred before the Nazi death industry was launched in Auschwitz, i.e., before the Wannsee Conference of January 1942, where the \u2018final solution\u2019 doctrine was planned.<\/span><\/p>\n

Today Babyn Yar is more reminiscent of a forest or a large park whose trees have grown taller over the past few decades. They didn\u2019t see the horrors of World War II but met the attack of another criminal regime. On 1 March 2022, Russian troops attacked the Ukrainian capital with missiles, one of which claimed the lives of five people on their way to the Babyn Yar memorials.<\/span><\/p>\n

Anna Zvyagintseva refers to the memories of both wars, the already distant World War II\u00a0 and the current Russia-Ukraine one. In her project, she resorts to the image of a tree damaged by bullets and cannons. That image reappears in her drawings and sculptures imminently alluding to the mutilated human bodies. For this installation the artist deliberately chooses fragile materials such as clay and paper.<\/span><\/p>\n

Instead of merely focusing on casualties and dry statistics, Zvyagintseva concentrates on the uniqueness of a single human being, proclaiming that each lost life is a lost universe. Her work offers a more complex and nuanced image of the world, an image in which Babyn Yar serves as a reminder of the vulnerability of human and non-human universes that become targets for war criminals over and over again.<\/span><\/p>\n <\/div>\r\n \r\n \r\n <\/div>\r\n <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n

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Curators<\/strong><\/p>\n

Kateryna Semenyuk, Oksana Dovgopolova, Kateryna Filyuk<\/p>\n <\/div>\r\n \r\n \r\n <\/div>\r\n <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n

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Artist<\/b><\/p>\n

Anna Zvyagintseva<\/a> (b.1986) is an artist from Ukraine. In her work she investigates imperceptible, impalpable facets of life, highlighting their fragility and documenting elusive intangible moments. Anna works with such topics as body, paths, useless action, small gestures. Her oeuvre is made up of an entanglement of drawing in various forms and transmedial variations like sculpture, installations, video and painting. In 2021\u20132022 she was a resident at the Jan van Eyck Academie. In 2020 she obtained the Gaude Polonia scholarship in Poland. Zvyagintseva participated in the Pavilion of Ukraine \u201cHope!\u201d, at the 56th International Art Exhibition, la Biennale di Venezia, in 2015; in the Kyiv biennale: <\/span>The school of Kyiv<\/span><\/i>, 2015 and <\/span>The Kyiv International<\/span><\/i>, 2017. She was awarded the main Pinchuk Art Prize in 2017. Anna lives and works in Kyiv, Ukraine.<\/span><\/p>\n

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Organisers<\/strong><\/p>\n

Memory culture platform Past \/ Future \/ Art and <\/span>IZOLYATSIA. Platform for cultural initiatives with a <\/span>support of the Chancellery and Foreign Office of Flanders<\/span><\/p>\n <\/div>\r\n \r\n \r\n <\/div>\r\n <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n

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Anna Zvyagintseva, Ground Shadows, 2023
\r\npaper, ink, graphite, charcoal, clay, beeswax, oil paint, metal, wood<\/p>\r\n <\/div>\r\n

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Courtesy of the artist<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n\r\n \r\n <\/div>\r\n\r\n <\/section>\r\n\n\n\r\n

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Ground Shadows<\/h2>\r\n <\/div>\r\n
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Dates<\/b>
\n<\/b>09.09\u201324.10.2023<\/span><\/p>\n

Address<\/strong>
\n<\/b>Kazerne Dossin<\/span>
\n<\/span>Goswin de Stassartstraat 153<\/span>
\n<\/span>2800 Mechelen, Belgium<\/span><\/p>\n

Opening hours<\/strong>
\nMon\u2013Tue, Thu\u2013Fri: 09:00\u201317:00
\nSat\u2013Sun: 09:30\u201317:00
\nWed: closed<\/p>\n

Admission<\/strong>
\nFree<\/p>\n

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The exhibition Ground Shadows offers to reflect on the past and present of Babyn Yar \u2014 the site of the ‘Holocaust by Bullets’ in Ukraine. 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