{"id":5215,"date":"2023-03-06T20:48:16","date_gmt":"2023-03-06T17:48:16","guid":{"rendered":"https:\/\/pastfutureart.org\/?p=5215"},"modified":"2023-07-24T13:06:22","modified_gmt":"2023-07-24T10:06:22","slug":"from-1914-till-ukraine","status":"publish","type":"post","link":"https:\/\/pastfutureart.org\/en\/from-1914-till-ukraine\/","title":{"rendered":"From 1914 till Ukraine"},"content":{"rendered":"\r\n
\r\n
\r\n \n\"\"\n\n\n \n\"\"\n\n\n <\/div>\r\n <\/section>\r\n\n\n\r\n
\r\n\r\n
\r\n
\r\n\r\n
\r\n

From March 11 to July 23, 2023, the curatorial exhibition \u00abFrom 1914 till Ukraine\u00bb<\/a><\/b>\u00a0by Kateryna Semenyuk and Oksana Dovgopolova took place at the Kunstmuseum Stuttgart, Germany. With the war waged by Russia against Ukraine for nine years now, the project offers a discussion about the fate and future of Europe. The exhibition brings together the works of Otto Dix and Ukrainian artists.<\/b><\/p>\n <\/div>\r\n \r\n \r\n <\/div>\r\n <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n

\r\n\r\n
\r\n
\r\n\r\n
\r\n

Kunstmuseum Stuttgart is famous for its collection of works by Otto Dix, an essential German painter and graphic artist of the 20th century, who depicted the horrors that war brings to society. At the invitation of Anne Vieth, the museum\u2019s curator, Kateryna Semenyuk and Oksana Dovgopolova developed the concept of the project that is integrated into the permanent exhibition space.<\/span><\/p>\n

In the museum halls Gro\u00dfstadt (Metropolis) and Krieg (War), works by Otto Dix from the period of the First and Second World Wars meet the post-2014 works by Ukrainian artists <\/span>Andrii Sahaidakovskyi<\/span>, <\/span>Andrii Rachynskyi and Daniil Revkovskyi<\/span>, <\/span>Katya Buchatska<\/span>, and <\/span>Denys Salivanov<\/span>, as well as a collective sound project by Maksym Ivanov, <\/span>Viktor Konstantinov<\/span>, <\/span>Ivan Skoryna<\/span>, <\/span>Kseniia Shcherbakova, and Kseniia Yanus<\/span>.<\/span><\/p>\n

With the beginning of the First World War in 1914, the old, quite stable order of Europe collapsed. The war was a turning point, and its consequences are felt even today. According to British historian <\/span>Eric Hobsbawm<\/span>, the \u201clong 19th century\u201d \u2014 from the French Revolution to 1914 \u2014 was followed by the \u201cshort 20th century,\u201d which ended in 1991 with the fall of the Soviet Union, the last empire. <\/span>Today, however, we see that Russia continues to assert imperial claims to power, even strengthening these by conquering countries that previously existed within the borders of the USSR. The 20th century is still going on \u2014 when will it end?<\/span><\/p>\n <\/div>\r\n \r\n \r\n <\/div>\r\n <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n

\r\n\r\n
\r\n
\r\n\r\n
\r\n

Curators \u2014 Kateryna Semenyuk, Oksana Dovgopolova, Anne Vieth<\/span><\/p>\n

Organisers \u2014 cultural memory platform Past \/ Future \/ Art, <\/span>Kunstmuseum Stuttgart<\/span><\/p>\n

Partners \u2014 Institut f\u00fcr Auslandsbeziehungen (ifa), Rave Stiftung<\/span><\/p>\n

Part of the presented works was provided by the collector Pavlo Martynov and the public organisation \u201cMuseum of Contemporary Art\u201d (MOCA NGO)<\/span><\/p>\n <\/div>\r\n \r\n \r\n <\/div>\r\n <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n

\r\n
\r\n\r\n
\r\n
\r\n
\r\n\r\n \r\n
\r\n \n\"\"\n\n\n
\r\n

Andrii Sahaidakovskyi, False Sky, 2017, oil on carpet, Pavlo Martynov Collection<\/p>\r\n <\/div>\r\n

\r\n

Andrii Sahaidakovskyi, False Sky, 2017, oil on carpet, Pavlo Martynov Collection<\/p>\r\n <\/figcaption>\r\n <\/figure>\r\n <\/a>\r\n\r\n <\/div>\r\n \r\n

\r\n\r\n \r\n
\r\n \n\"\"\n\n\n
\r\n

Andrii Rachynskyi, Daniil Revkovskyi, Mickey Mouse’s Steppe. Archives, 2023, installation, courtesy of the artists\r\n<\/p>\r\n <\/div>\r\n

\r\n

Andrii Rachynskyi, Daniil Revkovskyi, Mickey Mouse’s Steppe. Archives, 2023, installation, courtesy of the artists\r\n<\/p>\r\n <\/figcaption>\r\n <\/figure>\r\n <\/a>\r\n\r\n <\/div>\r\n \r\n

\r\n
\r\n

Andrii Sahaidakovskyi, False Sky, 2017, oil on carpet
\r\nPavlo Martynov Collection
\r\nAndrii Rachynskyi, Daniil Revkovskyi, Mickey Mouse’s Steppe. Archives, 2023, installation
\r\nCourtesy of the artists<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n
\r\n\r\n \r\n
\r\n \n\"\"\n\n\n
\r\n

Katya Buchatska, This World is Recording, 2023, video still, courtesy of the artist\r\n<\/p>\r\n <\/div>\r\n

\r\n

Katya Buchatska, This World is Recording, 2023, video still, courtesy of the artist\r\n<\/p>\r\n <\/figcaption>\r\n <\/figure>\r\n <\/a>\r\n\r\n <\/div>\r\n \r\n

\r\n\r\n \r\n
\r\n \n\"\"\n\n\n
\r\n

Denys Salivanov, Safe place, 2022, oil on canvas, MOCA NGO Collection\r\n<\/p>\r\n <\/div>\r\n

\r\n

Denys Salivanov, Safe place, 2022, oil on canvas, MOCA NGO Collection\r\n<\/p>\r\n <\/figcaption>\r\n <\/figure>\r\n <\/a>\r\n\r\n <\/div>\r\n \r\n

\r\n
\r\n

Katya Buchatska, This World is Recording, 2023, video still
\r\nCourtesy of the artist
\r\nDenys Salivanov, Safe place, 2022, oil on canvas
\r\nMOCA NGO Collection<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/section>\r\n\n\n\r\n

\r\n
\r\n
\r\n
\r\n
\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \n\"\"\n\n\n\r\n <\/a>\r\n <\/div>\r\n <\/div>\r\n\r\n
<\/div>\r\n <\/div>\r\n\r\n