{"id":3803,"date":"2022-08-16T00:02:25","date_gmt":"2022-08-15T21:02:25","guid":{"rendered":"https:\/\/pastfutureart.wpengine.com\/?p=3803"},"modified":"2023-03-15T13:52:15","modified_gmt":"2023-03-15T10:52:15","slug":"alevtina-kakhidze-mother-memorial","status":"publish","type":"post","link":"https:\/\/pastfutureart.org\/en\/alevtina-kakhidze-mother-memorial\/","title":{"rendered":"The House of Alevtina Kakhidze\u2019s Mother: The Monument to All Who Did Not Partake in the War but Became Its Participant"},"content":{"rendered":"\r\n<section class=\"hero-post__block default-block default-block--no-padding-bottom\" id=\"hero-post-block_a7bc47aba289f800e6bd15ce76f88c9a\">\r\n    <div class=\"text-container\">\r\n        <div class=\"hero-post__title\">\r\n            <h1 style=\"color:#474444\">The House of Alevtina Kakhidze\u2019s Mother: The Monument to All Who Did Not Partake in the War but Became Its Participant<\/h1>\r\n        <\/div>\r\n        <div class=\"hero-post__media\">\r\n            \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00901_1-1280x853.webp\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00901_1-1280x853.webp 1280w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00901_1-768x512.webp 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00901_1-1536x1024.webp 1536w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00901_1.webp 1680w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n        <\/div>\r\n                    <div class=\"hero-post__meta\">\r\n                <p class=\"heading--h4\">23.12.2021<\/p>\r\n            <\/div>\r\n                    <\/div>\r\n<\/section>\r\n\r\n\n\n\r\n<section class=\"text-default__block default-block default-block--no-padding-top\"\r\n         id=\"text--block_700729941bf14b122cda43527018d35f\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <p><strong>Alevtina Kakhidze created a monument to her mother, which bears a dedication to all civilians who live and die today in the East of Ukraine. But foremostly, this project is a poignant and beautiful expression that intermixes personal and collective memory with reverence for the human. We asked the artist to talk about this tender yet potent gesture.<\/strong><\/p>\n<p><em>Text: Past \/ Future \/ Art<\/em><\/p>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n    <section class=\"quote-block default-block\"\r\n             id=\"quote--block_6877d434a9d4a0be82c292af6c6c0800\">\r\n        <div class=\"text-container\">\r\n            <div class=\"quote-block__inner epigraph right-aligned\">\r\n                                                    <p>\u2014 This woman, did she fight? At such an old age? Was she in the military?<br \/>\r\n\u2014 No, she was not in the military. The war was going on around her, and that is why we believe that she was a participant in the warfare.<\/p>\r\n                            <\/div>\r\n        <\/div>\r\n    <\/section>\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_3f7f919cda38a7894457891c7e81be67\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <p>There are people who are caught up in the war. They try to resist it in feasible ways: fostering humanity and securing the space of freed exchange. One may resume that the efforts are in vain. Or indict for naivety and weakness. Or honour the human right to stand for their world, even if it is confusing.<\/p>\n<p>In Ukraine, the war has been lasting for almost eight years, slaughtering thousands. The reality of the dozens is intrinsic to the war \u2014 they live and die within it. You do not have to be a soldier to partake in military operations and to be worthy of commemoration.<\/p>\n<p>For years and years, Ukrainian artist Alevtina Kakhidze narrated her mother\u2019s life through art projects, namely in the famous series of drawings about Klubnika Andriivna. The mother stayed in the area of the so-called Donetsk People\u2019s Republic, and Alevtina had to defend the dignity of the people who, for various reasons, did not flee. And to rebut numerous accusations \u2014 \u201cWhy do not you take your mother with you?\u201d \u201cMy mother is not a sideboard,\u201d answers the artist. \u201cShe has the right to her own decision. It does not matter if it pains me to get through it.\u201d<\/p>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n    <section class=\"gallery-carousel__block default-block default-block--no-padding-top default-block--no-padding-bottom\" id=\"gallery-block_548a74ce310b78f8cb7728d4758c6af4\">\r\n        <div class=\"text-container\">\r\n            <div class=\"gallery-carousel__wrap lightbox-gallery-js gallery-carousel__wrap--w-container\">\r\n                <div class=\"gallery-carousel swiper gallery-carousel--fullwidth\">\r\n                    <div class=\"swiper-wrapper\">\r\n                                                    <div class=\"swiper-slide gallery-carousel__item\">\r\n                                <a href=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/4.webp\"\r\n                                   class=\"gallery-carousel__item-media\">\r\n                                    \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/4-1280x907.webp\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/4-1280x907.webp 1280w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/4-768x544.webp 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/4-1536x1089.webp 1536w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/4.webp 1680w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n\r\n                                                                    <\/a>\r\n                                                            <\/div>\r\n                                                    <div class=\"swiper-slide gallery-carousel__item\">\r\n                                <a href=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/2.webp\"\r\n                                   class=\"gallery-carousel__item-media\">\r\n                                    \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/2-1280x907.webp\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/2-1280x907.webp 1280w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/2-768x544.webp 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/2-1536x1089.webp 1536w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/2.webp 1680w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n\r\n                                                                    <\/a>\r\n                                                            <\/div>\r\n                                                    <div class=\"swiper-slide gallery-carousel__item\">\r\n                                <a href=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/5.webp\"\r\n                                   class=\"gallery-carousel__item-media\">\r\n                                    \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/5-1280x907.webp\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/5-1280x907.webp 1280w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/5-768x544.webp 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/5-1536x1089.webp 1536w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/5.webp 1680w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n\r\n                                                                    <\/a>\r\n                                                            <\/div>\r\n                                                    <div class=\"swiper-slide gallery-carousel__item\">\r\n                                <a href=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/3.webp\"\r\n                                   class=\"gallery-carousel__item-media\">\r\n                                    \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/3-1280x907.webp\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/3-1280x907.webp 1280w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/3-768x544.webp 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/3-1536x1089.webp 1536w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/3.webp 1680w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n\r\n                                                                    <\/a>\r\n                                                            <\/div>\r\n                                            <\/div>\r\n\r\n                    <div class=\"swiper-pagination\"><\/div>\r\n                <\/div>\r\n\r\n                <button class=\"swiper--btn swiper-button-prev\">\r\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"511.996\" height=\"315.23\"\r\n                         viewBox=\"0 0 511.996 315.23\">\r\n                        <g transform=\"translate(511.996 413.613) rotate(180)\">\r\n                            <path d=\"M508.245,246.953l-144.81-144.82a12.8,12.8,0,0,0-18.1,18.1L468.3,243.2H12.8a12.8,12.8,0,0,0,0,25.6H468.292L345.327,391.763a12.8,12.8,0,1,0,18.108,18.1L508.246,265.051A12.792,12.792,0,0,0,508.245,246.953Z\"\/>\r\n                        <\/g>\r\n                    <\/svg>\r\n                <\/button>\r\n                <button class=\"swiper--btn swiper-button-next\">\r\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"511.996\" height=\"315.23\"\r\n                         viewBox=\"0 0 511.996 315.23\">\r\n                        <g transform=\"translate(511.996 413.613) rotate(180)\">\r\n                            <path d=\"M508.245,246.953l-144.81-144.82a12.8,12.8,0,0,0-18.1,18.1L468.3,243.2H12.8a12.8,12.8,0,0,0,0,25.6H468.292L345.327,391.763a12.8,12.8,0,1,0,18.108,18.1L508.246,265.051A12.792,12.792,0,0,0,508.245,246.953Z\"\/>\r\n                        <\/g>\r\n                    <\/svg>\r\n                <\/button>\r\n            <\/div>\r\n                            <div class=\"gallery-carousel__caption text-container\">\r\n                    <p class=\"text--caption\">Alevtina Kakhidze, The project Klubnika Andriivna, 2014\u20132019<\/p>\r\n                <\/div>\r\n                    <\/div>\r\n    <\/section>\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_90b24374c2d0b4460e9b0ffab4e053a6\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <p>2019 brought the irremediable: the artist\u2019s mother suddenly died in line at the checkpoint, at \u201czero.\u201d She did not go to visit her sister or daughter; she went to \u201ccheck in.\u201d The latter is one of the terms associated with the phenomenon of \u201cretirement tourism,\u201d which Kakhidze introduced into the artistic space through her drawings. The artist\u2019s mother had the opportunity to relocate away from the difficulties of the occupied territories because Alevtina and her husband purchased a one-room apartment in the Kyiv region for her. But she was ambiguous about the move, and the premortem drawings captured the ambivalence.<\/p>\n<p>\u201cThey say that the monument should be unveiled in a year. When your mother dies, you immediately turn into an ordinary person falling under the ordinary rules. I realised that I would not be able to go to the funeral bureau. I needed inner readiness to create my monument. I knew it would be a serious project, but I was nervous about doing something sentimental. This often happens when you lack the distance. And an artist is always a distance. It grants the reflection, without which it is impossible to do something,\u201d says Alevtina.<\/p>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n    <section class=\"quote-block default-block default-block--no-padding-top default-block--no-padding-bottom\"\r\n             id=\"quote--block_f7f73773303d34ea06d20c293def4c2c\">\r\n        <div class=\"text-container\">\r\n            <div class=\"quote-block__inner quote-default centered\">\r\n                                    <div class=\"quote-block__text\">\r\n                        <span class=\"start\">\/\/<\/span>\r\n                        <p class=\"heading--h3\">I NEEDED INNER READINESS TO CREATE MY MONUMENT. I WAS NERVOUS ABOUT DOING SOMETHING SENTIMENTAL<\/p>\r\n\r\n                                            <\/div>\r\n\r\n                                            <\/div>\r\n        <\/div>\r\n    <\/section>\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_33ca6273b093cf64e06a934e83b7189e\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <p>The death of the beloved is always a personal tragedy, but understandable to everyone. The artist shares her thoughts with us: \u201cMom did not flee, even though she could. She chose her house she built all her life. This was her life, which she did not want to abandon.\u201d Simultaneously, Alevtina ruminates about those people who found themselves on their own in the occupied areas; their homes were left without visitors because their relatives could not reach them: \u201cMany people were forbidden to tend to their beloved who died in solitude on the so-called Donetsk and Luhansk People\u2019s Republic territories.\u201d<\/p>\n<p>\u201cThis house kept a hold on you\u201d was the first phrase the artist uttered, trying to put the memory of the closest person into an image. \u201cI had never asked my mother where she wanted to be buried. It was clear that it should be somewhere near the house. And if it so happened that her body ended up in Muzychi, then the house should be here too. The task was apparent: to relocate the house symbolically,\u201d says Alevtina.<\/p>\n<p>It was a departure point for the artistic search that arrived at the creation of a monument. The monument-reflection on the corporealities of the people who inadvertently become the military conflict participants and whose lives are engraved with the demarcation line.<\/p>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n    <section class=\"single-image__block default-block default-block--no-padding-top default-block--no-padding-bottom\"\r\n             id=\"image--block_61cf4df31613189b7ada7a47c9428ef0\">\r\n\r\n        <figure>\r\n            <div class=\"text-container\">\r\n                \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/13_vagannia_1.jpg\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/13_vagannia_1.jpg 1680w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/13_vagannia_1-768x548.jpg 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/13_vagannia_1-1280x914.jpg 1280w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/13_vagannia_1-1536x1096.jpg 1536w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n            <\/div>\r\n\r\n            <div class=\"text-container\">\r\n\r\n                                    <figcaption class=\"img-caption__default wysiwyg\">\r\n                        <div class=\"text--caption\">Alevtina Kakhidze, The project Klubnika Andriivna, 2014\u20132019<\/div>\r\n                        <div class=\"text--copyright\"><\/div>\r\n                    <\/figcaption>\r\n                            <\/div>\r\n\r\n        <\/figure>\r\n    <\/section>\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_1aab135aefe4f01f5a1c0aafe55599b1\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <p>The artist Stas Turina was a primary interlocutor and a kind of mentor for Alevtina\u2019s endeavour. She had never worked with monuments before, so she had to study a lot, consult, and communicate with others. The artist and sculptor Volodymyr Melnichenko presented Alevtina with a book incorporating the photographs of the monuments he had created for his friends. It strengthened the artist\u2019s faith in the idea. Then it turned out that Stas Turina also had experience in monument construction.<\/p>\n<p>Kakhidze additionally studied the cemeteries \u2014 the Lukianivske and the military ones. The architect Olena Orap made many visualisations, assisting in the project\u2019s grounding. The poet Liuba Yakymchuk helped to finalise concise yet essential texts.<\/p>\n<p>\u201cThe monument developed into a huge project involving many participants. Such projects are often submitted to competitions and grants. I was not an institution, but merely a single person,\u201d says Alevtina. Nowadays, her artistic search is probably unique. For us, the project that works with memory, it is of the greatest importance \u2014 and we want to give a voice to the artist. Alevtina Kakhidze told us how her idea was commenced and developed and who accompanied her in the pursuit of the answers.<\/p>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n    <section class=\"title-default__block default-block default-block--no-padding-bottom \"\r\n             id=\"title-block--block_04d7c702cc10dbc93f649b69c3a7f513\">\r\n\r\n        <div class=\"text-container\">\r\n            <div class=\"title-default__content\r\n\"\r\n                 style=\"background-color: \">\r\n                <h2 style=\"color: #474444\">THE DOORS AS MEMORANDUMS<\/h2>\r\n            <\/div>\r\n        <\/div>\r\n\r\n\r\n    <\/section>\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_eaec7d83192a97c8ae222e37527c5df4\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <p>How to relocate the house symbolically? Just to create a model? A house is not merely its walls, bricks, or fence. It is a living space where the points of meanings, the islands of distinct daily dimensions, coincide. Alevtina recalled the house and was even able to get its precise plan. The monument had to embody this particular house, not an abstract idea: \u201cThe monument, like our house, has six doors. In the project, they have three memorandums. The first is the most straightforward, every monument features it: the mother\u2019s name, the birth and death dates. This information is inscribed on the front door leading a person from the porch into the house.\u201d<\/p>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n    <section class=\"gallery-carousel__block default-block\" id=\"gallery-block_704f3d0983221fa6a65765decd728442\">\r\n        <div class=\"text-container\">\r\n            <div class=\"gallery-carousel__wrap lightbox-gallery-js gallery-carousel__wrap--w-container\">\r\n                <div class=\"gallery-carousel swiper gallery-carousel--fullwidth\">\r\n                    <div class=\"swiper-wrapper\">\r\n                                                    <div class=\"swiper-slide gallery-carousel__item\">\r\n                                <a href=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_01026.jpg\"\r\n                                   class=\"gallery-carousel__item-media\">\r\n                                    \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_01026-1280x853.jpg\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_01026-1280x853.jpg 1280w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_01026-768x512.jpg 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_01026-1536x1024.jpg 1536w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_01026.jpg 1680w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n\r\n                                                                    <\/a>\r\n                                                            <\/div>\r\n                                                    <div class=\"swiper-slide gallery-carousel__item\">\r\n                                <a href=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00926_1.jpg\"\r\n                                   class=\"gallery-carousel__item-media\">\r\n                                    \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00926_1-1280x853.jpg\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00926_1-1280x853.jpg 1280w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00926_1-768x512.jpg 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00926_1-1536x1024.jpg 1536w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00926_1.jpg 1680w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n\r\n                                                                    <\/a>\r\n                                                            <\/div>\r\n                                                    <div class=\"swiper-slide gallery-carousel__item\">\r\n                                <a href=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00984_1.jpg\"\r\n                                   class=\"gallery-carousel__item-media\">\r\n                                    \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00984_1-1280x853.jpg\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00984_1-1280x853.jpg 1280w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00984_1-768x512.jpg 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00984_1-1536x1023.jpg 1536w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00984_1.jpg 1680w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n\r\n                                                                    <\/a>\r\n                                                            <\/div>\r\n                                                    <div class=\"swiper-slide gallery-carousel__item\">\r\n                                <a href=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00987_1.jpg\"\r\n                                   class=\"gallery-carousel__item-media\">\r\n                                    \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00987_1-1280x853.jpg\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00987_1-1280x853.jpg 1280w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00987_1-768x512.jpg 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00987_1-1536x1024.jpg 1536w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00987_1.jpg 1680w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n\r\n                                                                    <\/a>\r\n                                                            <\/div>\r\n                                            <\/div>\r\n\r\n                    <div class=\"swiper-pagination\"><\/div>\r\n                <\/div>\r\n\r\n                <button class=\"swiper--btn swiper-button-prev\">\r\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"511.996\" height=\"315.23\"\r\n                         viewBox=\"0 0 511.996 315.23\">\r\n                        <g transform=\"translate(511.996 413.613) rotate(180)\">\r\n                            <path d=\"M508.245,246.953l-144.81-144.82a12.8,12.8,0,0,0-18.1,18.1L468.3,243.2H12.8a12.8,12.8,0,0,0,0,25.6H468.292L345.327,391.763a12.8,12.8,0,1,0,18.108,18.1L508.246,265.051A12.792,12.792,0,0,0,508.245,246.953Z\"\/>\r\n                        <\/g>\r\n                    <\/svg>\r\n                <\/button>\r\n                <button class=\"swiper--btn swiper-button-next\">\r\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"511.996\" height=\"315.23\"\r\n                         viewBox=\"0 0 511.996 315.23\">\r\n                        <g transform=\"translate(511.996 413.613) rotate(180)\">\r\n                            <path d=\"M508.245,246.953l-144.81-144.82a12.8,12.8,0,0,0-18.1,18.1L468.3,243.2H12.8a12.8,12.8,0,0,0,0,25.6H468.292L345.327,391.763a12.8,12.8,0,1,0,18.108,18.1L508.246,265.051A12.792,12.792,0,0,0,508.245,246.953Z\"\/>\r\n                        <\/g>\r\n                    <\/svg>\r\n                <\/button>\r\n            <\/div>\r\n                            <div class=\"gallery-carousel__caption text-container\">\r\n                    <p class=\"text--caption\">The Monument to the Mother of Alevtina Kakhidze, 2021, Muzychi, the Kyiv region<br \/>\r\nThe photographer \u2014 Marho Didichenko<\/p>\r\n                <\/div>\r\n                    <\/div>\r\n    <\/section>\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_2b50fabc3ecb5d288d75254301e99930\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <p><span style=\"font-weight: 400;\">\u201cThe four doors in the middle (in the real house, they led from the corridor to the rooms) convey a message written circle-wise: \u2018Klubnika Andriivna, you died at \u2018zero,\u2019 now you are here, and your house is here, the one that kept a hold on you,\u2019\u201d says Alevtina. \u201cI allow myself to mention the name of Klubnika Andriivna because it is so important for many. I wanted to expand the appeal \u2014 not merely to my mother and her experience but also to other people. The third, final memorandum is: \u201cTo all who died alone in the russian occupation.\u201d<\/span><\/p>\n<p>The memorandums cannot be read simultaneously from a single point of view; you need to walk around the monument. When you look at one door, the inscriptions on the others are not visible. It is like a Japanese garden: the planes do not intersect, and the texts lack polyphony.<\/p>\n<p>The doors with memorandums contour the spaces of the house. Looking at their configuration, we realise where the walls should be. The dwelling\u2019s outline is reduced several times, but the proportions are accurate. Nonetheless, one of the elements had to be presented on a real scale. It is the porch.<\/p>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n    <section class=\"two-images__block default-block default-block--no-padding-bottom\"\r\n             id=\"image--block_cbbc5eb0e0d09ad9addf8b42ad2eb20e\">\r\n        <div class=\"text-container\">\r\n\r\n            <div class=\"two-images__grid lightbox-gallery-js\">\r\n                                    <div class=\"two-images__row default landscape\">\r\n                                                                            <div class=\"two-images__row-item two-images__row-item--left default landscape\">\r\n\r\n                                <a href=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00936_1.jpg\"\r\n                                   class=\"lightbox-gallery-item-js two-images__row-media default landscape\">\r\n                                    <figure>\r\n                                        \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00936_1-768x512.jpg\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00936_1-768x512.jpg 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00936_1-1280x853.jpg 1280w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00936_1-1536x1024.jpg 1536w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00936_1.jpg 1680w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n                                                                            <\/figure>\r\n                                <\/a>\r\n\r\n                            <\/div>\r\n                        \r\n                                                                            <div class=\"two-images__row-item two-images__row-item--right default landscape\">\r\n\r\n                                <a href=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/photo-3.jpg\"\r\n                                   class=\"lightbox-gallery-item-js two-images__row-media default landscape\">\r\n                                    <figure>\r\n                                        \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/photo-3-768x519.jpg\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/photo-3-768x519.jpg 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/photo-3-1280x865.jpg 1280w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/photo-3.jpg 1528w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n                                                                            <\/figure>\r\n                                <\/a>\r\n\r\n                            <\/div>\r\n                        \r\n                                                    <div class=\"two-images__row-info\">\r\n                                                                    <div class=\"two-images__row-caption\">\r\n                                        <p class=\"text--caption\">The Monument to the Mother of Alevtina Kakhidze, 2021, Muzychi, the Kyiv region<br \/>\r\nThe photographer \u2014 Marho Didichenko<br \/>\r\n<br \/>\r\nThe photo from the family\u2019s archive, the courtesy of Alevtina Kakhidze<\/p>\r\n                                    <\/div>\r\n                                                                                            <\/div>\r\n                                            <\/div>\r\n                            <\/div>\r\n\r\n        <\/div>\r\n\r\n    <\/section>\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_6ff23a8d4ec7b2e0b9bdd5365557fb38\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <div id=\"rec394602537\" class=\"r t-rec t-rec_pt_15 t-rec_pb_15\" data-animationappear=\"off\" data-record-type=\"127\">\n<div class=\"t119\">\n<div class=\"t-container \">\n<div class=\"t-col t-col_8 t-prefix_2\">\n<div class=\"t119__preface t-descr\">\n<div data-customstyle=\"yes\">\n<p>\u201cI had an idea to include a place for sitting. So I could come and sit with my mom. Whenever you go to the cemetery, it is always a quiet dialogue,\u201d says Alevtina. The artist was looking for a form for this place, and at some point, she realised that the most natural thing in the house is to sit on the porch: \u201cThere, I often waited for my mother when I came home while she was at the neighbour\u2019s house. That is, it is also a site of waiting and tranquillity, the anticipation of mom\u2019s forthcoming return.\u201d<\/p>\n<p>From the old family photo depicting the brothers near the house, the artist and her husband calculated that the porch steps differed in height and width \u2014 \u201cthat\u2019s how mom made them herself.\u201d It is with uneven steps that the porch is reproduced in the monument. The only difference is their width. For Alevtina, it was important that people do not step on the \u201chouse\u201d: \u201cThe length of the porch is real, but the width of the stairs is not, the foot does not fit. I really did not want it to fit. The stairs grant a porch feeling, where you can sit from the side but not climb. I made its height comfortable to sit \u2014 42 centimetres, the height of regular chairs. But its length is the real length of the small porch in our house.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n    <section class=\"three-images__block default-block\"\r\n             id=\"image--block_61cd2022570c4573ed0a332953925c5b\">\r\n        <div class=\"text-container\">\r\n\r\n\r\n            <div class=\"three-images__grid lightbox-gallery-js\">\r\n                                    <div class=\"three-images__row portrait\">\r\n                                                                                    <div class=\"three-images__row-item portrait\">\r\n\r\n                                    <a href=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/1__-1.jpg\"\r\n                                       class=\"lightbox-gallery-item-js three-images__row-media portrait\">\r\n                                        <figure>\r\n                                            \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/1__-1-768x1067.jpg\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/1__-1-768x1067.jpg 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/1__-1.jpg 1080w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n\r\n                                                                                    <\/figure>\r\n                                    <\/a>\r\n\r\n                                <\/div>\r\n                                                                                        <div class=\"three-images__row-item portrait\">\r\n\r\n                                    <a href=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/4___.jpg\"\r\n                                       class=\"lightbox-gallery-item-js three-images__row-media portrait\">\r\n                                        <figure>\r\n                                            \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/4___-768x583.jpg\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/4___-768x583.jpg 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/4___.jpg 780w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n\r\n                                                                                    <\/figure>\r\n                                    <\/a>\r\n\r\n                                <\/div>\r\n                                                                                        <div class=\"three-images__row-item portrait\">\r\n\r\n                                    <a href=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/2___2.jpg\"\r\n                                       class=\"lightbox-gallery-item-js three-images__row-media portrait\">\r\n                                        <figure>\r\n                                            \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/2___2-768x564.jpg\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/2___2-768x564.jpg 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/2___2.jpg 1125w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n\r\n                                                                                    <\/figure>\r\n                                    <\/a>\r\n\r\n                                <\/div>\r\n                                                                        <\/div>\r\n                            <\/div>\r\n\r\n                            <div class=\"three-images__caption\">\r\n                    <p class=\"text--caption\">The Monument to the Mother of Alevtina Kakhidze, a plasticine sketch, a house plan drawn from memory, blueprints, 2021<\/p>\r\n                <\/div>\r\n            \r\n        <\/div>\r\n\r\n    <\/section>\r\n\n\n\r\n    <section class=\"title-default__block default-block default-block--no-padding-bottom \"\r\n             id=\"title-block--block_fdb87858ac0f3ab0cc2f750663481c28\">\r\n\r\n        <div class=\"text-container\">\r\n            <div class=\"title-default__content\r\n\"\r\n                 style=\"background-color: \">\r\n                <h2 style=\"color: #474444\">MARBLE AND CONCRETE<\/h2>\r\n            <\/div>\r\n        <\/div>\r\n\r\n\r\n    <\/section>\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_4114ab5853acd2ef396db6557c0ed834\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <p>The monument is made of concrete, a fairly ecological and beautiful material, and the symbolic doors are made of marble. The artist worked with the CON\u0421 company, inspired by their concrete works. Alevtina notes that until the very last moment, she concealed the monument\u2019s location because the CONC warned: \u201cOnly not at the cemetery.\u201d Later, she revealed her cards: \u201cThis is a sculpture, this is my art, but it is at the cemetery.\u201d<\/p>\n<p>Questions arose at every step, for example, which font to employ for the inscriptions. In the artworks, Alevtina always writes texts by hand, but in this case, her conventional writing was incongruous. For about a month, the artist created her own font, departing from the idea that it should \u201cweep\u201d as if water dropped on the letters. Liubov Yakymchuk advised Alevtina to use big letters only for the mother\u2019s name and life dates. Smaller letters had to be developed for everything else so that the memorandums would not \u201cyell.\u201d<\/p>\n<p>When Alevtina was looking for specialists who would do milling on the marble, she sent them the monument model with the texts on the plates. She was always offered a discount precisely because of the content. The man who eventually participated in the assembly disclosed that he cried when he saw the monument. He could not move his family from the occupied areas to Kyiv precisely because of their attachment to their home. \u201cFor me, art is genuine when it tackles the social,\u201d the man added.<\/p>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n    <section class=\"title-default__block default-block default-block--no-padding-bottom \"\r\n             id=\"title-block--block_b8a9af2a02aaac1b6b17622112ff399c\">\r\n\r\n        <div class=\"text-container\">\r\n            <div class=\"title-default__content\r\n\"\r\n                 style=\"background-color: \">\r\n                <h2 style=\"color: #474444\">THE LUMINOUS MEMORY SITE<\/h2>\r\n            <\/div>\r\n        <\/div>\r\n\r\n\r\n    <\/section>\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_513d320f10edfeed9d9817e9d23d8a10\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <p>\u201cMourning has to be framed in beauty because it grants strength to endure all of it,\u201d says Alevtina. \u201cA friend wrote to me about this work: \u2018The luminous memory site.\u2019 It seems like a simple description, not intricate&#8230; But it is indeed the beauty that provides a resource to look at a horrendous story and discover something in it for the future. To think about all the people who remain there. Eventually, the most important thing is that with this monument I recognise my mother\u2019s right not to leave, but to stay at her home. Moving the house to the cemetery is a confirmation that I respected her position, her views, and a genuine valorisation of this house. Hence, it should be valuable for me to keep it that way\u201d<\/p>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n    <section class=\"quote-block default-block default-block--no-padding-top default-block--no-padding-bottom\"\r\n             id=\"quote--block_b9dcf50c38e2902181e421bd82c18d2f\">\r\n        <div class=\"text-container\">\r\n            <div class=\"quote-block__inner quote-default centered\">\r\n                                    <div class=\"quote-block__text\">\r\n                        <span class=\"start\">\/\/<\/span>\r\n                        <p class=\"heading--h3\">WITH THIS MONUMENT I RECOGNISE MY MOTHER\u2019S RIGHT NOT TO LEAVE, BUT TO STAY AT HER HOME<\/p>\r\n\r\n                                            <\/div>\r\n\r\n                                            <\/div>\r\n        <\/div>\r\n    <\/section>\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_1f548b3718d438bbcbf7db0cfd5d0e46\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <div id=\"rec394813523\" class=\"r t-rec t-rec_pt_15 t-rec_pb_15\" data-animationappear=\"off\" data-record-type=\"127\">\n<div class=\"t119\">\n<div class=\"t-container \">\n<div class=\"t-col t-col_8 t-prefix_2\">\n<div class=\"t119__preface t-descr\">\n<p data-customstyle=\"yes\">\u201cMy memory is finite, but the outline will remain even when I am gone, and someone else can continue the house in their recollections. The artist also has such a task \u2014 to archive; it is a specific historical, anthropological role. This is the respect for the life of the deceased, a testimony of memory gesture,\u201d Alevtina concludes. Beauty, not vengeance, will give us the strength to endure pain and overcome what tears us apart. When we mourn a loved one, we do not resort to generalisations and abstract figures, to something superhuman and epic, in the rays of which a person vanishes. \u201cWhat is memory? Recognising a person as they were, not as you wanted to see them,\u201d states the artist.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n    <section class=\"single-image__block default-block default-block--no-padding-bottom\"\r\n             id=\"image--block_dd42103a179cba20d0eac47e4c2fe4de\">\r\n\r\n        <figure>\r\n            <div class=\"text-container\">\r\n                \n<img decoding=\"async\" src=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00991_1.jpg\"\n     srcset=\"https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00991_1.jpg 1680w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00991_1-768x512.jpg 768w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00991_1-1280x853.jpg 1280w, https:\/\/pastfutureart.org\/wp-content\/uploads\/2022\/08\/MD_00991_1-1536x1024.jpg 1536w\"\n     sizes=\"100%\"\n         alt=\"\" loading=\"lazy\">\n\n\n            <\/div>\r\n\r\n            <div class=\"text-container\">\r\n\r\n                                    <figcaption class=\"img-caption__default wysiwyg\">\r\n                        <div class=\"text--caption\">The Monument to the Mother of Alevtina Kakhidze, 2021, Muzychi, the Kyiv region<br \/>\r\nThe photographer \u2014 Marho Didichenko<\/div>\r\n                        <div class=\"text--copyright\"><\/div>\r\n                    <\/figcaption>\r\n                            <\/div>\r\n\r\n        <\/figure>\r\n    <\/section>\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_f70d6b3981e6aab350d5aadc105c49b7\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <p>To keep in memory a person with their choices and vulnerability is a critical commemoration gesture in a world torn by conflict. Retaining the ability to see faces in \u201csocial groups\u201d and \u201ctypical representatives\u201d is the only thing that will help us preserve our humanity. By mourning a specific person and their fate, we can own the dedication made by Alevtina Kahidze: \u201cTo all who died alone in the russian occupation.\u201d<\/p>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n    <section class=\"title-default__block default-block default-block--no-padding-top default-block--no-padding-bottom \"\r\n             id=\"title-block--block_a8522639873d78350a01c3ab756468e6\">\r\n\r\n        <div class=\"text-container\">\r\n            <div class=\"title-default__content\r\n\"\r\n                 style=\"background-color: \">\r\n                <h2 style=\"color: #474444\">TO ALL WAR PARTICIPANTS<\/h2>\r\n            <\/div>\r\n        <\/div>\r\n\r\n\r\n    <\/section>\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_01e953379f90f533a92549a425826eea\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <p>During the monument installation at the cemetery, people who were painting the fence nearby asked: \u201cThis woman, did she fight? At such an old age? Was she in the military? \u201cNo,\u201d answered Alevtina, \u201cshe was not in the military. The war was going on around her, and that is why we believe that she was a participant in the warfare.\u201d Naturally, when people think about the death of warfare participants, they first suppose the military. But there are other participants. \u201cPerhaps, this is the first monument in Ukraine dedicated to the people who did not partake in the war but are its participants,\u201d the artist suggests.<\/p>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_15e774f833b75fba6045fb8887509d3b\">\r\n\r\n    <div class=\"text-container text-container--info\">\r\n                    <div class=\"text-block__title text-default__block-title--info\">\r\n                <h2>The Project Team<\/h2>\r\n            <\/div>\r\n                <div class=\"text-default__block-grid text-default__block-grid--info\">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <div class=\"t220__title t-heading t-heading_sm\">\n<div data-customstyle=\"yes\">\n<p>Alevtina Kakhidze \u2014 concept, font, management, engineering solutions<\/p>\n<p>Stanislav Turina \u2014 mentoring<\/p>\n<p>Olena Orap \u2014 architecture<\/p>\n<p>Liubov Yakymchuk \u2014 editing<\/p>\n<p>CONC firm \u2014 concrete, installation<\/p>\n<p>Bareks Marmur, DECORart \u2014 marble, miling<\/p>\n<\/div>\n<\/div>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n\n\n\r\n<section class=\"text-default__block default-block\"\r\n         id=\"text--block_73a12a098363169b739410919d84b327\">\r\n\r\n    <div class=\"text-container \">\r\n                <div class=\"text-default__block-grid \">\r\n\r\n                            <div class=\"text-default__content wysiwyg\">\r\n                    <p><span style=\"color: #808080;\"><em>The cover photo: The Monument to the Mother of Alevtina Kakhidze, 2021, Muzychi, the Kyiv region<\/em><\/span><br \/>\n<span style=\"color: #808080;\"><em>The photographer \u2014 Marho Didichenko<\/em><\/span><br \/>\n<span style=\"color: #808080;\"><em>The images provided by courtesy of Alevtina Kakhidze<\/em><\/span><\/p>\n                <\/div>\r\n            \r\n            \r\n                    <\/div>\r\n    <\/div>\r\n\r\n<\/section>\r\n\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19],"tags":[],"class_list":["post-3803","post","type-post","status-publish","format-standard","hentry","category-texts-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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