{"id":3666,"date":"2022-09-12T02:12:06","date_gmt":"2022-09-11T23:12:06","guid":{"rendered":"https:\/\/pastfutureart.wpengine.com\/?page_id=3666"},"modified":"2025-06-24T13:44:43","modified_gmt":"2025-06-24T10:44:43","slug":"discussions","status":"publish","type":"page","link":"https:\/\/pastfutureart.org\/en\/discussions\/","title":{"rendered":"Discussions"},"content":{"rendered":"\r\n
\r\n\r\n\r\n
\r\n
\r\n

Discussions<\/h1>\r\n
\r\n \"Slash\r\n \n\"\"\n\n\n <\/div>\r\n <\/div>\r\n <\/div>\r\n\r\n
\r\n
\r\n

We organise public discussions on watersheds in the life of Ukraine and the world and the approaches employed by artists in working with the past<\/h2>\n <\/div>\r\n <\/div>\r\n \r\n\r\n <\/section>\r\n\n\n\r\n
\r\n
\r\n \r\n
\r\n \r\n
\r\n
\r\n \r\n <\/a>\r\n \r\n
\r\n \n\"\"\n\n\n <\/div>\r\n\r\n
\r\n
03.25<\/h6>\r\n <\/div>\r\n \r\n
\r\n

Discussion programme of the Unseen Force project<\/h4>\r\n <\/div>\r\n \r\n
\r\n

Public discussions about the occupation resistance experience in Kherson and Crimea<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n

\r\n
\r\n \r\n <\/a>\r\n \r\n
\r\n \n\"\"\n\n\n <\/div>\r\n\r\n
\r\n
17\u201318.06.2023<\/h6>\r\n <\/div>\r\n \r\n
\r\n

Discussion programme \u201cArt and War\u201d<\/h4>\r\n <\/div>\r\n \r\n
\r\n

A series of conversations on the commemoration of the Russia-Ukraine war in the framework of the project \u201cHow Are You?\u201d<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n

\r\n
\r\n \r\n <\/a>\r\n \r\n
\r\n \n\"\"\n\n\n <\/div>\r\n\r\n
\r\n
10.09.2021<\/h6>\r\n <\/div>\r\n \r\n
\r\n

MAPPING THE MEMORY BY MEANS OF ART<\/h4>\r\n <\/div>\r\n \r\n
\r\n

Discussion at the Ars Electronica festival<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n

\r\n
\r\n \r\n <\/a>\r\n \r\n
\r\n \n\"\"\n\n\n <\/div>\r\n\r\n
\r\n
21.06.2021<\/h6>\r\n <\/div>\r\n \r\n
\r\n

BETWEEN THE PAST AND THE PAST<\/h4>\r\n <\/div>\r\n \r\n
\r\n

Discussion about the notion of the historiographic turn and the tendency to refer to the past in contemporary art<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n

\r\n
\r\n \r\n <\/a>\r\n \r\n
\r\n \n\"\"\n\n\n <\/div>\r\n\r\n
\r\n
21\u201323.04.2021<\/h6>\r\n <\/div>\r\n \r\n
\r\n

ONLINE FORUM “THE (NON)EXCLUSION ZONE”<\/h4>\r\n <\/div>\r\n \r\n
\r\n

Discussions on the problem of remembrance of the Chornobyl tragedy dedicated to the 35th anniversary of the Chornobyl nuclear disaster<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n

\r\n
\r\n \r\n <\/a>\r\n \r\n
\r\n \n\"\"\n\n\n <\/div>\r\n\r\n
\r\n
20\u201321.10.2020<\/h6>\r\n <\/div>\r\n \r\n
\r\n

#BRUEDERSCHAFT<\/h4>\r\n <\/div>\r\n \r\n
\r\n

Public program within the artistic project about unity #bruederschaft<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n

\r\n
\r\n \r\n <\/a>\r\n \r\n
\r\n \n\"\"\n\n\n <\/div>\r\n\r\n
\r\n
15.09.2020<\/h6>\r\n <\/div>\r\n \r\n
\r\n

AVENUES OF GODS IN THE COUNTRY OF NOMADS<\/h4>\r\n <\/div>\r\n \r\n
\r\n

An online conversation about the memorial landscape of post-Soviet Kazakhstan<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n

\r\n
\r\n \r\n <\/a>\r\n \r\n
\r\n \n\"\"\n\n\n <\/div>\r\n\r\n
\r\n
22.07.2020<\/h6>\r\n <\/div>\r\n \r\n
\r\n

SOVIET, EMPTY, YELLOW-BLUE<\/h4>\r\n <\/div>\r\n \r\n
\r\n

An online discussion with a photographer Yevgen Nikiforov about what is happening with the public spaces of Ukrainian cities<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n

\r\n
\r\n \r\n <\/a>\r\n \r\n
\r\n \n\"\"\n\n\n <\/div>\r\n\r\n
\r\n
20.05.2020<\/h6>\r\n <\/div>\r\n \r\n
\r\n

DO HITLERS HUNT RABBITS? \u201cJOJO RABBIT\u201d AND ITS LOOK TO THE PAST<\/h4>\r\n <\/div>\r\n \r\n
\r\n

Online conversation about the contradictory film by Taika Waititi<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n

\r\n
\r\n \r\n <\/a>\r\n \r\n
\r\n \n\"\"\n\n\n <\/div>\r\n\r\n
\r\n
07.05.2020<\/h6>\r\n <\/div>\r\n \r\n
\r\n

WITH A SHIELD OR ON IT: WHAT DOES 8 AND 9 OF MAY MEAN FOR CONTEMPORARY UKRAINE?<\/h4>\r\n <\/div>\r\n \r\n
\r\n

Online discussion dedicated to the 75th anniversary of the end of World War II<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n

\r\n
\r\n \r\n <\/a>\r\n \r\n
\r\n \n\"\"\n\n\n <\/div>\r\n\r\n
\r\n
20.02.2020<\/h6>\r\n <\/div>\r\n \r\n
\r\n

THE KMYTIV EXPERIMENT: HOW TO SPEAK WITH THE SOVIET PAST?<\/h4>\r\n <\/div>\r\n \r\n
\r\n

Public discussion with the authors of the project \u201cThe Kmytiv Museum of Soviet Art, Named After I.D. Bukhanchuk\u201d<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n

\r\n
\r\n \r\n <\/a>\r\n \r\n
\r\n \n\"\"\n\n\n <\/div>\r\n\r\n
\r\n
12.01.2020<\/h6>\r\n <\/div>\r\n \r\n
\r\n

COMMEMORATIVE PRACTICES IN THE DIGITAL WORLD<\/h4>\r\n <\/div>\r\n \r\n
\r\n

Discussion about the commemorative practices in online games and social networks<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n

\r\n
\r\n \r\n <\/a>\r\n \r\n
\r\n \n\"\"\n\n\n <\/div>\r\n\r\n
\r\n
27.11.2019<\/h6>\r\n <\/div>\r\n \r\n
\r\n

WHERE DID THE SHADOW OF THE UKRAINIAN \u201cDREAM\u201d FALL?<\/h4>\r\n <\/div>\r\n \r\n
\r\n

A meeting with the team of the project \u201cThe Shadow of a Dream Cast Upon Giardini Della Biennale\u201d, which was presented at the Venice biennale in 2019<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n

\r\n